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無類「Stateless」-黃贊倫 關渡美術館個展

 當造人造物成為一種微觀的基因複製學,當生化科學前進成為一種旁觀他人存在的幾何學,我們所綁縛宣稱的人性成本卻已悄悄地隱匿於數據與科技的輕盈流竄間。不具任何重量的存在著,過程與實存彼此化約,若即若離。以為無所限的意志持續強大,人類便積極持續對自己與環境進行強佔性的包圍、分類,張開雙臂迎接科技前進之下的美麗新世界。我們究竟依循著什麼造做了這一切?

黃贊倫的作品以一種低調的口吻,不激烈陳述什麼,其說是找答案倒不如說是不經意地持續提問,關渡美術館【無類】個展中這些美得讓人傷愁的創作是機械也好,互動裝置也罷,表面皮質下的記憶輕聲低語宣示訴說著自己曾經飛翔的本質,或人型一再替換更新,以模擬人類對完美不朽或拒或迎的消費性意志,如今,卻有如一套展示用標本,依附寄存於牆面之上。究竟是什麼東西被續活了下來?而人類的自觀,始終缺席。人類再也無語回應。最終,隱匿於數位與科技背後的潛在人性逐漸消逝了。新秩序來襲,我們是什麼…,我們在哪裡…。

 / 王曉華 )

  關渡美術館「POWER SHOWS」系列隆重推出年青藝術家黃贊倫的最新作品,內容包含機械、裝置、雕塑多種元素,探討創作者主體身份與再造物類(機械人型或構成物件)之間的微妙關係,作品看似冷調,然而在其機械性組構的表相下卻潛藏著體溫,是一種感覺熟悉卻又被抽離的無類感官,這次在關渡美術館展出的個展作品-【無類】,如同置身於道具室現場的構思佈局中,呈現出與觀者之間的互動關係,關渡美術館邀請你來參觀他的最新作品。

 

 

  Nowadays, The Creation has drifted away into genetic profiles, biochemical evolution left the human beings existence alone. What we are proud of as living like a man has slipped away and hide behind the high speed of technostructure and Data pool. Without any reality, who we are and how we live break into pieces, become hollow and weightless, and then vanish. We believe everything was just perfectly under our control, so we speed up. Intensively continuing to alienateourselves to fit in this progressing machine-oriented world. Every machinery is made under the design of trying to looklike a human being by copying the specific movements and facial expressions of a man, or in an even more perfect state.Yet, still it is a machine. What makes us believe we have the ability to play such a role to create things immortal and keep them alive?

With no introspect of what have we done, we stay alive but not living a life. Pass actual experiences, real touches and irreplaceable moments by. The natures underneath became nothing but a display. Displays on the shows, we leave them aside and eventually erased them from our memories. In the end, nothing remains, only silence, absence and stateless.

( By /Wang  Hsiao- Hua)

  Huang Zan Lun, a young emerging artist whose works combines machine elements, installations and sculptures. Dealing with subjects such as questioning the progress of machine-oriented beliefs and reviewing the states where we were under such beliefs. His works is often imbued with emotionless, detached undertones that render his messages both alluring and ambivalent. The exhibition “Stateless” explores the full range of Huang’s creative works starts from April 9th to May 16th as “POWER SHOWS” series of Kuandu Museum of Fine Arts 2010.

 

電話:2896 1000 *2455展覽承辦人/黃盟欽




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